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Review Thirteen Reasons Why

Sabtu, 14 April 2012







Thirteen Reasons Why

by Jay Asher, Mery Riansyah (Goodreads Author) (Translator), Endah Sulwesi (Editor), Lulu Fitri Rahman (Editor), Tisa Anggriani (Proofreader)

Kau tak bisa menghentikan masa depan, tak bisa mundur ke masa lalu. Satu-satunya cara mengetahui rahasia itu adalah...
terus dengarkan kaset ini.

Clay Jensen kembali dari sekolah dan menemukan kotak misterius untuknya di teras rumah. Dalam kotak itu dia menemukan tujuh kaset yang direkam Hannah Baker--teman sekelas sekaligus gadis yang ditaksirnya--yang bunuh diri dua minggu sebelumnya.

Hannah sudah meninggal. Rahasia gadis itu seharusnya terkubur bersama jasadnya. Namun, Hannah menjelaskan tiga belas alasannya memutuskan mengakhiri hidup. Clay salah satunya. Dengan mendengarkan kaset itu, Clay akan tahu mengapa dirinya termasuk dalam tiga belas alasan itu.

Sepanjang malam, Clay mendengarkan kaset itu. Clay mengikuti petunjuk dari kaset Hannah menyusuri kota kecilnya... dan apa yang dia temukan mengubah hidupnya selamanya.

Penerbit Matahari 2011

Djehan: hmm... Masih ngerasa ajaib, tepatnya aneh yang tak berkesudahan saat selesai membaca buku ini. Bayangkan aja, ada seorang gadis yang rela mengakhiri hidupnya hamya karena nggak bisa berdamai dengan dirinya sendiri. memang sih, dia punya alasan untuk melakukan itu. Tapi bagiku, tetap aja itu konyol dan hal yang teramat bodoh. Tapi, ya mungkin itu adalah pilihan dia.

Hannah, kenapa dia harus repot-repot bunuh diri dan meneror belasan teman-temannya setelah kepergiannya? Kasihan teman-teman Hannah, tapi mereka mungkin pantas mendapatkannya setelah apa yang pernah mereka lakukan kepada Hannah.
so, apakah ketigabelas alasan itu yang membuat Hannah 'harus' mengakhiri hidupnya?

Ceritanya bagus, dari awal saja atmosfer suspense-nya kental banget. deg-degan, takut dan kadang clingak-clinguk saat membacanya, takut tiba-tiba Hannah ada di depanku :D Thx buat Matahati ats nuku kerennya. Ummm, kovernya aku suka, keren, keren, keren..

Natha: "Meninggalkan buku ini di kantor, kemajuan membacanya sangat lambat banget. Belum nenemukan 'klik'nya juga seh."

Nina: Before I get into the actual review, watch this AWESOME fan-made trailer. It is so amazing it made me read this book, damn it.

WARNING: I did not like this book. If you did, and would hate it if someone (me) ranted and bitched about it, then DO NOT READ THIS REVIEW.

REVIEW: I don't know why this book is so popular. And I honestly don't know what all the rave is about. I heard so many great things about this novel, that's why I read it. While this was a good book, well written and all…the plot was just not good enough—no, the reasons leading to Hannah Baker killing herself were not believable enough for me. I mean sure, they did some horrible things to her in high school, that doesn't mean you should just go off and commit suicide. As far as I'm concerned, those kinds of situations happen to everyone. And I don't believe for one second that no one noticed that she wanted to commit suicide. What about her haircut? Didn't the author mention that the teacher passed out a flyer called "The Warning Signs of a Suicidal Individual?" And wasn't there "A sudden change in appearance" on top of the list? What about "Giving away possessions?" Didn't they discuss suicide in the same class? Didn't Hannah leave an anonymous note telling the teacher that? After she told Mr. Porter? And he didn't stop her? Come on, they couldn't have been that dumb! Hannah, above all, just sounded whiny. And I just couldn't sympathize with her character. And committing suicide and then blaming people for it is just a stupid excuse for killing herself. She was the one that decided to kill herself, not them—not anyone. She just needed someone to blame. And poor Clay! If Clay wasn't one of the reasons Hannah killed herself, then why put him through the agony? Why give him the tapes? She could've just written him a letter. And Tony! Hannah put even the ones that had nothing to do with her in pain. For example: what did Tony do to her? Because I know he was hurting, too. He felt helpless because he couldn't have saved her.

It was also very difficult and confusing to keep up with what Clay and Hannah said/thought. One second I'm reading in Clay's point of view, the next Hannah's. And sometimes I had to reread a whole paragraph because I got the POV wrong in my head.
Also, I think suicide is a very serious issue so I didn't really buy Jay Asher's portrayal of Hannah's feelings. If someone wanted to commit suicide, their emotion had to be deeper, stronger than just hatred and petty resentment for having a bad reputation in High School. Therefore, I thought Hannah's emotions weren't very serious, even childish and overly dramatic at times. And after finishing the books I was like, "seriously?! That's why she killed herself?!" I honestly felt like Asher was making fun of the teens who have been through terrible things in their life and are still trying to stay strong after everything they've been through. This was like telling them, "what the heck, end your life if you're so miserable."

UPDATE: Just found out this is going to be a movie. Starring Selena Gomez.

Also, if you want to know more about Hannah's reasons,

Stephanie: eta 2: this is also the perfect book to listen to on audiotape. usually i am annoyed with audiobooks, but i enjoyed listening to this one almost as much as reading it, because i was hearing hannah while driving in my car, much the same way clay was. still love this book and it's boldness.

*
eta: for everyone that thinks hannah's suicide was unbelievable, or that the reasons were just stupid and petty, take a moment and think about how what happened could have been the impetus for suicide. it's not the whole story, of course. hannah tells us that herself. but people who commit suicide aren't just people that have been raped, abused, are poverty stricken, gang members, or sufferers of PTSD. too many adolescents kill themselves out of a depression that spirals in the SAME WAY hannah's does. too many adults do. and look at the suicide statistics if you don't think this is an important book.*

yep, i broke down and bought it. and i am SO GLAD that i did. you guys, ALL OF YOU, read this now. i'm so not joking. this is one of the best books about adolescents and real life and how things can snowball that i have ever read.not to mention this is the best, best, portrayal of true suicidality that i have come across - in all genres. here's clay jensen, with a stack of tapes that arrive on his door. seven tapes, with a number painted in nail-polish on each corner. seven tapes from the dead hannah baker, who was clay's total crush. hannah baker, who killed herself with pills. the genius is that the act of suicide itself is not glorified. at all. it's not an impulsive suicide, despite what people may have thought, and that's part of why i think i appreciate this book so much. for people that are truly, and deeply, and clinically depressed, it's not really impulsive. it's a series of things that lead one to believe that it's just not going to get better.

and that's exactly what happens to hannah. things that seem small and petty or not even memorable build in the head of someone who is already fragile. she isn't melodramatic about it, she's to the point. sometimes she's angry, sometimes she's sad, and sometimes she's brutally honest with herself - she knows that her actions are selfish, she knows that there were places she could have made things different and didn't. she knows where she closed the doors that might have been opening, and where she opened the ones she should have left shut.

i love hannah baker. i love clay jensen. i love these characters for their emotional vulnerability and honesty, for the way the story is told in pieces that all weave together in the end, for the fact there is no pandering to the reader, or condescension. that even in the end, even after hannah decided, there was one last chance. that this was thought out and thoughtful and not just a look at how people deal with the aftermath of a suicide, but how a suicide might be the end point.

i really cannot say enough about this book. i want to quote whole passages, i want to make so many people read it. it is SUCH an accurate portrayal it breaks my heart.

when hannah wants to disappear into the mist, and the decision for the way she wants to kill herself - her difficulty in even saying the word "suicide" in the beginning - it's just. not wanting her parents to find her hanging. thinking about making it look like an accident by crashing a car.

people may think what hannah did, by leaving the tapes, was super vindictive and mean. i do think there was an element of that to her recording everything - it's true to her character. but more than that, i think hannah wanted people to know how things spiral so far out of control, and how seemingly small interpersonal interactions can have such amazing consequences.

more than anything, i think hannah wanted to leave her own answer to "why do people commit suicide" and "signs to watch out for".

and i think she did a pretty damn good job. this is amazingly brilliant. Jay Asher just completely blew me away. so go read it. now.

Annalisa: I liked the idea of this book more than the execution. Clay received a package in the mail with audiotapes narrated by Hannah because he is one of the thirteen reasons she committed suicide. As he wanders through town visiting the monumental spots in Hannah's life, he listens to the tapes waiting for the one that accuses him. The suspense was good. I liked Clay and applaud Asher for bringing to light the tragic subject of teen suicide, but there were things about it that bothered me:

I didn't sympathize with Hannah. I really wanted to. From the get go, I wanted to pity the wrongs done her, but she started off the tapes laughing, taking her impending suicide as a joke, which comes off as spite. I know Asher did this to show a character arc of someone who was fun and outgoing until the stupid cruelties of teenagers destroyed her, but where she started these tapes after she decided to kill herself, the humor is jarring. We should only get depressed Hannah on the tapes and the outgoing Hannah through Clay's memories. And we don't even see the transition from happy to ruined, only the word of Clay that she changed. I wanted to see it in Hannah's story.

Asher also played it too safe with Clay. He was a bit of a Gary Stu (view spoiler)

I get that the point is that we never know how our deeds affect those around us--even the smallest cruelty can destroy someone--but where Hannah had the chance to show us how these thirteen faults add up to something, I expected more connecting the dots. All I got was a mention that their weight on top of everything else is the whole story. I wanted the whole story. Story nine was built up as the big event, a turning point that expounded the prior incidents to a climax that was too much, but after that I just became frustrated with Hannah and wanted to hear her name as one of the thirteen. She was given plenty of lifelines but refused them and then pulled people down with her. Like the last story. What was the point of that unless she wanted to ruin someone's life? Hannah deserved to be on some of these people's lists more than they deserved to be on hers.

In the end, I think that it is a plus that Hannah isn't portrayed as a victim but fleshed out to both good and bad. It doesn't make suicide the natural answer. As I said before, the message in the book is good and I was into the story, breezing through it quickly. It was clever and different and will make you think or get angry or sad or proactive. I loved the play, pause, and stop icons too. I think it's an important YA novel and despite my nitpicking would recommend it. I wish Asher had taken a few more risks with his characters, but all-in-all a great debut novel.

Mike: Thirteen Reasons Why,Jay Asher's Song of Suicide for Duet

I have been one acquainted with the night.
I have walked out in rain -- and back in rain.
I have outwalked the furthest city light.--Robert Frost.

The facts are grim, but true. Suicide is the third leading cause of death for young people aged fifteen to twenty-four. It is the fourth leading cause of death for children aged ten to fourteen. The statistics are compiled by the United States Center for Disease Control. Although contributing factors may vary from case to case, the most common factor is depression, the belief that life is overwhelming and that death is a welcome escape.

But statistics are nothing but numbers. Jay Asher with his novel Th1rteen R3asons Why, has brought a mere number to life in Hannah Baker's story. Hannah commits suicide by taking pills. She has reasons--thirteen of them. And she has left no doubt as to what those reasons are by recording her reasons and naming the people who are responsible for her decision.

It is ghoulish in a way. Hannah has mailed her cassette tapes to one person with explicit instructions that after listening to the tapes that person mail them to the next person on the list. If her audial chain letter is broken, she's made a backup copy which will be made public. It's unlikely anyone will break the chain because Hannah tells secrets no one would want revealed.

Hannah's story begins simply enough. She's the new girl at the local high school. She's pretty. Her parents have opened up a new shoe store in town. But Hannah's problems begin quite soon. She's put down as number one on the "Hot" list being circulated around school. Never mind it's not true. Now, Hannah's the girl with the reputation. She is the constant target of snubs and snickers.

But then there's Clay. He's the boy who is known school wide as the good kid. Why would he be on Hannah's list of thirteen reasons? Perhaps it's because he folded to peer pressure and didn't ask her out because of what "they" would say. However, Clay's conduct comes nowhere close to approaching that of his classmates, including stalking, voyeurism, sexual harassment, and out and out rape.

It is through Clay that Rash makes his story so compelling. Rash has written two distinct narratives, one for Hannah and one for Clay. He has intermingled Hannah's voice on the tape with Clay's immediate reaction to what he has just heard. It is effective. It works. And it is this technique that makes Thirteen Reasons Why read like a bullet.

Rash has done a good deed writing this book. It carries a strong message that our behaviors, no matter their degree have an effect on the feelings of others. This novel is a plea for empathy and respect for each other. As Hannah tells us,"I guess that's the point of it all. No one knows for certain how much of impact they have on the lives of other people. Often we have no clue."

Rash has hit his target audience. Just take a quick visit to the Thirteen R3asons Why Project and peruse some of the comments from young people who have read this book. http://www.13rwproject.com/#/reviews/368

Is Thirteen Reasons Why perfect? No. Rash falters in a few crucial areas. Hannah's parents are non-existent. We never get to know them, nor have any inkling of Hannah's relationship with them. Nor does any villain ever seem to suffer the consequences for their behavior, not even a rapist. Finally, this could be a dangerous story in the hands of a troubled teen. For Hannah plays the ultimate game of "Gotcha!" Unfortunately, to win, you have to die.

This is a good read. It's tough, sad, and tragic. But it carries a message more positive than negative. 3.5 Rating

Review Specials (Uglies #3)

Kamis, 22 Maret 2012







Specials (Uglies #3)

by Scott Westerfeld, Yunita Candra (Translator), Lulu Fitri Rahman (Editor), Tisa Anggriani (Proofreader)

Tally telah bergabung dengan Special Circumstances, aparat rahasia pemerintahan kota yang bertindak seperti militer. Mereka menjalani operasi yang menjadikan mereka “rupawan bengis,” rupawan namun mengerikan.

Bersama Shay dan kelompok Cutter, Tally memburu Smoke Baru. Sebagai anak emas Dr. Cable di Special Circumstances, mereka berusaha menghentikan upaya Smoke Baru mengobati kaum rupawan. Namun Tally merasa bimbang ketika Zane, pacarnya yang masih mengalami kerusakan otak, berbeda pendapat.

Tally kembali dihadapkan pada pilihan sulit, memilih pacar yang dicintainya tetap rupawan, atau memaksanya berubah menjadi spesial—seperti dirinya. Dan Tally tak pernah membayangkan pilihannya berujung pada masalah serius yang melibatkan kota lain, bahkan dunia.

Penerbit Matahari 2011

Beth: So I didn't like Tally as much in this book. Her personality has been altered by the "special" surgery, so she looks down on anyone who isn't "special" themselves. Part of the plot line is that she is supposed to overcome this, but I didn't feel she completely did.

Other things that marred my enjoyment of this story...
I hated the cutting aspect. Several times they talk about cutting, and how "Icy" it makes them feel. Eventually Tally quit, but only because it was repugnant to Zane, then because she told him she wouldn't. Am I wrong to feel a responsible writer of books for teenage girls would include a discussion of how harmful cutting can be?

This book is also accepting of behaviors I don't think are acceptable like underage drinking, and in the previous books, starving oneself and cohabitation at the age of sixteen. The people in these books seem to lack any sort of moral compass. The only issue where a strong "right or wrong" is expressed is the evil of war and damaging the environment. (view spoiler) So while the story was interesting, these issues distracted me enough that I just couldn't enjoy it.

Jess: Note: I am considering this book the finale of a trilogy, because Extras was an un-planned addition.
It is finally time for me to deal with Specials, the final book in the trilogy that began with
Uglies. I have put off this review for a couple of days, because I honestly dont know how I feel about this one.
I think the main problem for me, is the fact that Specials is the conclussion to a trilogy, yet it certainly did not seem that way when I was reading it. Allow me to explain:
The Hunger Games Trilogy: In both The Hunger Games and Catching Fire, Collins builds up the intensity, making it clear from the first moment who the good guys and bad guys are. She keeps us in suspence, and ends Catching Fire on such a note we are desperate get Mockingjay-eager to find out weather Katniss or The Capitol prevails, to find out how everything concludes. If she chooses Gale or Peeta? The point is, the first two books set up for an epic finale.
Chaos Walking Trilogy: Much the same, The Knife of Never Letting Go and The Ask and the Answer build up our excitement, desperate to see which side wins. Again, we know that Monsters of Men will finish everything in a breathtaking manner.
This comes to my problem with Specials. It does not seem like a grand finale to the trilogy, but more like any ordinary book. There was a beginning, a middle and an end. The major plot twist came half way through, as oppose to the previously mentioned finale's, when the beginning is book one, middle is book two and the end is book three. We know what to expect from #3, and know that so much is at stake.
Maybe this is the fault of Uglies and Pretties. Whilst very, very good, those two books did not build up our excitement enough, and the vibe of an exciting,fast conclusion is missing, and is instead replaced by a normal plot.
That is how I saw it anyway. I hope that makes sense. It does, at least in my mind.

Anyway, it was an enjoyable book, just not what I expected.
I found the major action scene in the armory a little hard to follow, and there were many paragraphs through out the book that I had to re-read, just to make sense of.
However, the last half of this book was excellent. It certainly had the trilogy-epic-finale feel about it.
The action was great, as was the descriptions and emotion. Especially, involving the death scene of a certain-character. In my opinion, the finale of all trilogies/series must have the death of an important character. Westerfield wrote that particular scene very well, and it felt very real-the characters reactions were amazingly believable.
Also, the final showdown with Dr. Cable was great. Very visual and well written. The action in this scene was fast-yet very clear. Infact, the second half of this novel was wonderful. Brilliantly paced and highly addictive. I stayed up until 3AM to finish it. Oh, and I really, really liked Shay in this book for some reason. Its not as good as Uglies, though its better then Pretties. Final mark: 3.5 stars

Bethany : What happened? It wasn't the greatest series I'd ever read but c'mon! Did they give him time? It was worse the the third movie sequel that shouldn't have had a second. Where do I begin with this train wreck? There wasn't one storyline that was wrapped up. The plot was thrown together so hastily and it left more holes (and was as deep as) an 80's John Hughes film. The ONE character I thought was interesting barely featured and fizzled out pathetically... so much potential! Also, the ending was the WORST! I mean, it didn't have to be happy- dystopia and all- I would have settled for a suicide in hopeless despair or a reconditioning to the status quo, but no! I think it was supposed to leave the reader hopeful but it was just stupid and wrong on all levels and did not make sense to the purpose of the entire series! The writing became too contrived and redundant and self-defeating and preachy and contradictory and redundant (did I say that?) and amateur and BAD. So disappointing!

JoLee: Even though I have The Host waiting for me, I just really had to find out what happened to Tally, Shay, David, and especially Zane. This book was a good conclusion to The Uglies Trilogy, but it didn't have the same magic Pretties held for me. What I really liked about the trilogy is that Tally is very different in every book, and I think Westerfeld handled those changes very convincingly. However, that's also what I didn't really like about Special. Tally was so changed in Specials, and I really missed the old Tally. I liked Tally, but not really because of who she was but because of who she had been and who she could become. But, at the end of the novel, I'm not sure she became the person I wanted her to be. I guess Tally's past and her potential future was probably why Zane still liked her too. Poor Zane. He was my favorite character. I'm sad about him.

Jen: Like most of the other reviewers, I'm dissatisfied with this third book, but can't come up with a concrete reason. I think the biggest reason is a lack of concrete character development for Tally's latest brain alteration. I felt she was just too inconsistent.

There are a slew of other minor reasons as well. Dr. Cable suddenly changes to an old woman. Tally is suddenly joined at the hip with David again. Zane's suddenly gone. Shay's suddenly all better and has mended her relationship with Tally on her own. There's also some weird correlation with brain lesions and leaving the environment alone. However, if a city decides to forego the brain lesions, they automatically start expanding their city and destroying the environment... and Tally's going to be there to stop them. I'm sorry, I seem to remember several hoverboards Tally left as trash somewhere in the wild. I doubt those things are biodegradable. And if saving the environment has been ingrained in these people their whole lives, then why would having normal brain function suddenly reverse the indoctrination? I'm pretty sure saving the environment would still be pretty important to them.

I was also expecting an explanation for why there are so many rusty skeletons in their cars. I understand there was a virus that destroyed fuel, which would cause cars to stop working. I just don't understand why rusties would remain in their unworking cars until they perish. Usually when a car dies, the driver extis the vehicle and looks for an alternate method of transportation, which occasionally includes walking. Tally points out several times that the rusties were so stupid that they stayed in their cars until they died. That just doesn't make sense, so I was waiting on an explanation that did.

Jenelle: Oh Scott! I am so so proud of you! Only 2 'purchases' in the whole book! Such an improvement: like you can think for yourself, like youre curing yourself of bogus making writing! Bravo.

Ok, as far as the series is concerned, this is where I'm abandoning ship. I held on this long in hope that somehow you would bring me around and show me how to like Tally, but it kind of went the opposite direction, you know?

Anyway, I'm stopping here because youve given me no reason to continue. The fourth book, though an afterthought, is where you could have rectified yourself, but instead you came up with a whole new story like a lame, sure-to-fail spinoff show, with special guest appearances from the former cast who are contractually obliged to lend their star power to improve ratings.
Also, I don't want this to be a repeat of Breaking Dawn or Mockingjay, where, as another reviewer pointed out, you can't 'unread' them but are left forever tainted. And those were series' I actually liked! Anyway, I'm not reading Extras.

So why didn't I like yours? Well, it's pretty simple really--your characters were shallow. Not just morally shallow, which was kind of the point (though none of them ever got over that particular symptom) but they were just flat. Wait, I take that back...Shay is an exception, but I still didn't like her.

Also, you left out half of the story. Too many things happened between books or 'offstage' so to speak. Major stuff too: like why she liked, no LOVED, Zane so much when there really wasnt very strong evidence. They were a couple after their first date and aside from the experience they went through together, there just isn't a lot of substance there. It seemed like a superficial relationship befitting their superficial looks. I expected that it would be awkward with David and take awhile to get them to reconnect, but I just couldn't figure out why she held the torch for Zane for so long. WAS it because he was pretty?--that was hinted at but you never told us definitively. Was it pity? That's even worse. Why did David still like her after everything? There wasn't much to go on there, either. Back in Uglies, it was a lot easier to see why they were together, but after that, it felt forced.

And you know, for all your talk about gender equality, your male characters were pretty wimpy. David was doing good at first, but then, with little about him in the next books, he was weakened because he wasnt part of the action. He had been the rebel leader and then became a nobody. Same with Zane--former rebel, still has a dangerous vibe, but the emo thing was kind of pathetic. After that, he was just a constant liability. What amazingly un-masculine men, er, boys, you've concocted here. Even the villain is a woman. Considering its the females who do all the damage, maybe thats the real gender message here.

Agreeing with Amy about all the cutting, thrill seeking, etc as inappropriate for a teen audience, but I think it would have been more acceptable if you just explained it better! Endorphins and all that. But very irresponsible
that you didn't.

And the alcohol, and anorexia, and constant surgeries were maybe even worse. No one had any respect for the human body, before or after being pretty. Even David, who should've been so repulsed that he had the same kind of reaction she had to his ugliness. So disgusted with all of them that he wouldn't want anything to do with them anymore. He should have said a lot more about the beauty of humanity, the fragility and the strength that is naturally programmed into us. YOU should have said it. Maybe you were trying to, in some satiric way, but it just ended up being demoralizing, not actually inspiring.
Maybe you were just trying to tackle too much at once--someone else suggested that #4 is another idea you wanted to develop, and that may have been why the rest sucked so bad for me. I thought the pretty surgery as a cure to the breakdown of civilization was really far-fetched, and became even more so because it became such a catch-all. Rusties were too reliant on oil; Rusties destroyed nature; Rusties made war over nothing; Rusties destroyed themselves with their own technological genius---all because of looks? The line of reasoning is very thin, but you had some good points. The problem was, you lumped them all together instead of exploring a few at a time. The surgery revolution and the equality and the superhumans is a great idea, BY ITSELF. The ruins of civilization, the oil dependence, the super weed--another good idea--BY ITSELF. And the lesions and the anthropological guinea pigs, wow--could be super, but by itself. These concepts are what intrigued me in the beginning when the characters didn't, but instead of finding out how this society got from one point to another, how some people survived and prospered and others became savages, or how the cities were so absolutely isolated and disconnected
but still largely the same-- it was all brushed-over and vague. Such a tremendous disappointment.

Am I just too ugly and emotional? Is this written at a bubbly pretty reading level and I'm just over thinking it? Or am I simply not icy enough and i'm missing the message?
Probably I'm just expecting too much from YA books. It's not like we're meant to do a critical analysis of Brave New World here, but that might actually be easier.